This is a portrait of a sensitive and fragile Colombian girl living a long way from home. She is determined and focused, planning for her future, but wishing to be loved in an environment that is harsh and unfeeling. Her ephemeral youth and perfection will vanish with transience of life. Will her dreams and desires be fulfilled in the passing of time?
I have supported my painting with two video experimentations, which bring the character to life.
Ariel’s fantastic ballet career is over. She is no longer able to reach the gates of heaven during her never-ending pirouettes and glamorous jumps. Her body is now deformed and she feels constant pain. Her twisted joints are permanently inflamed and swollen. Her potential to perform and inspire is forever gone. Underneath her fake pose and put on facade, she is very down to Earth. She has never enjoyed dancing. It was her parents dream, which destroyed her future, health and beautiful body… Once upon a time, her mother had one distinct ambition in life – she wanted to become a famous ballet dancer.
I have continued with the painterly process while repeating Aries’s body in a rhythmic movement. The intention is to arrange a sensation of grace and ballet in the context of anxiety and worries. After all, Ariel has bend her moral spine and made her principles vague and ambiguous. What is she going to do next?
May Newsletter at Deep West Gallery
— Read on shoutout.wix.com/so/25Nbrl_LO
I have just received the following marketing material from the Contemporary Art Curator Magazine:
Additionally, my work will be featured on Contemporary Art Curator’s social media. This promotional campaign will take place over the next 2 and a half months as follows:
Instagram post (3 images) + Instagram story ( 425.000 followers on Instagram )
1 x Facebook post (3 images) ( 13.000 followers on Facebook ).
I will update this post with new developments.
I am being represented by a fantastic new gallery called DeepWest. It specialises in promoting high class contemporary art. My pieces are exhibited in the company of a selected very exciting and original pieces from an array of artists from all-over-the-world.
Micheline lives on Madagascar – an island, which is famous for its wildlife and beauty. She is stunningly natural, pretty and used to be called a Malagasy Queen. Before the pandemic, she had a respectable job, good existence and worked as a teacher of French. Now, the dynamics changed. She is trying to rebuild her life, while looking for employment in foreign call centres. The beautiful background is a constant, but the reality can be a nightmare.
I have finally made some progress with my current piece. This breakthrough stage follows a long period of stagnation and uncertainty. Re: living my trip with Captain Ahmed and the danger of the experience of sinking on his little and crude boat has made me realise the importance of hypnotic repetition of daily survival.
I developed a screen with images of fish we both caught while struggling to stay afloat. I proceeded with a complex process of overprinting and stating each layer with ink – somehow trying to imitate the sophistication of glazing while using a range of water based media, including inks and water soluble pastels. More developments will come soon.
I have started to introduce a range of vibrant details in the background space. The idea was to create a sense of cohesion and belonging. I have used a repetitive motif of a baobab tree, which is typically associated with this fantastic island. The current stage of the painterly process is below: