Reflections on @madsmilano

When reflecting on the importance of the use of colour in my work, I was trying to analyse its impact on the mood portrayed and the perception of a viewer.

As a part of this critical process, I watched a number of videos from previous exhibitions. My attention was drawn to a brief narrative by Lisa Galletti, one of art curators at the gallery. The essence of her wise words somehow summarises my inner thoughts and feeling. Perhaps, because of this incidental cohesion of views, she contacted me to invite me to take part in “Love My Body”. I was truly impressed by her spoken narrative as follows:

“Colour as a visual perception of the various electromagnetic radiations within the visible spectrum reflected by bodies.

Colour as a natural or artificial substance used as dye or paint.

What is colour for you?

Colour that causes emotion, changes your mood.

Colour is in nature; in its indefinite variations.

It is a foundation of division of the world and, at the same time, a characteristic of it.”

Lisa Galletti @madsmilano

I include an Instagram post with her final video appraisal of artwork, she was responsible for as a curator. Thank you Lisa!

‘From A Distant New York’ – International Screening and Conference

I have been invited to participate in a fascinating international interactive screening of the film “The World Before Your Feet” and conference event. It was organised by ATÖLYE, Dubai’s Creative Hub, in partnership with Palmwood, American Film Showcase and the US Consulate in Dubai.

There are 8,000 miles of roads and paths in New York City and for the past six years Matt Green has been walking them all—every street, park, cemetery, beach, and bridge.

Executive produced by Oscar nominee Jesse Eisenberg and directed by Jeremy Workman, “The World Before Your Feet” is a tribute to an endlessly fascinating city and the freedom to be found, wherever you live, in simply taking a walk.

The team of filmmaker experts were presents:

I am very excited to take part in this amazing venture, which was attended by filmmaker Jeremy Workman, executive producer Jesse Eisenberg and the wanderer himself Matt Green. All live conversations were moderated by Emirati filmmaker Amal Al Agroobi.

A screenshot of a thank you email is below:

Symposium – Final Version

FINAL VIDEO FOR MY SYMPOSIUM
Developmental Work

After much consideration, I have refined my 5-minute video. This final version was developed further in response to suggestions, which were discussed during today’s meeting. It covers a holistic appraisal of the meaning and messages, I have attempted to communicate during my research, experimentation and visualisation. The running commentary is purposefully interrupted by the sounds of the cutting of the canvas and the rumbling of the washing machine. My creative intentions are to manufacture a powerful impact on the viewers and make them struggle, while interpreting, understanding and digesting the voice of the automated narrator in the background. The Masquerade clown like character at the end of the video, reports on his observations of this world as an alien and an outsider would, detached and unemotional. Therefore, his commentary seems more poignant and unbiased, drawing attention to our own flaws and weaknesses, when confronted with the unfamiliar. The computer generated voice reinforces the authenticity of the dialogue by removing the human element and dimension.

The paranoia of life continues!

Portfolio on Behance and Further Thoughts on Final Exhibition

I have started to work on a new presentation portfolio on Behance.

My work in progress can be viewed by clicking on the following link:

https://pavszymanski.myportfolio.com/

I will continue to update this collection of work as some key pieces are still missing.

This has also given me ideas of how I would like to present my work during the final show. I have exchanged correspondence with Aristotle and uploaded work files into my space on the shared google drive.

I am really looking forward to seeing the work being presented in this simple yet clear and aesthetic format.

All images are of identical height. They are equally spaced, probably further apart than on my rough design. The 7 central pieces are videos (the above design displays only 5) and my paintings on both sides. The order of my work may be adjusted.

The work on the left represents some initial research and experimentation. The pieces on the right are the most recent. Therefore, there is a sense of chronological progression throughout. The idea is to echo my journey, experiences and findings.
Ideally, it would be great to be able to click on each piece to enlarge it.

I am also planning to support each piece with an explanation using either a sound recording or text.

The sequence of my work files is: 7 paintings – 7 videos – 5 paintings.

Symposium – Development of Presentation.

Presentation in Progress:

Refined proposal:

Image remains:

This is a holistic and conclusive summary and visual outcome of my research, practical experimentation and analysis, which I have develop in consequence to my investigation into hypnotic repetition over the last few years.

I have attempted to portray my research findings as unreal. In the context of the current crisis, my ability to travel appears to be nothing, but a distant memory. The seriousness of the situation is reflected in a ‘torture like’ visual metaphor, which is intentionally ambiguous. The title implies a false show or pretence. The opulence of the Venetian mask has an important function here. It depersonalises the character. We are all entrapped in the vacuum of hypnotic repetition, regardless of status, age and location. The yellow and gold tonation imply a form of celebration, perhaps a masked ball, which allows all participants to misbehave without any possibilities of being recognised and punished. It creates a feeling of safety and removes all unnecessary barriers and limitations.

The process of washing is also of significance here. Its aim is to cleanse, purify and remove a burden of recollections and reminders of the past. It is a perfect time to move on and embrace the new normality in the brave and contemporary post pandemic world.

The narrative has a purposefully confused and partially non-sequential timeline. The underpinning idea is to disorientate potential viewers and make them question the purpose of the existence through an interpretation of the meaning of my video.

The spinning cycle of the machine has hypnotic properties and enhances the overall feeling of absurd, repetition and induces a fatamorgana of safety and cosiness.

In contradiction to logic, opportunities arise in life in order to break the mundane phenomenon of entrapment and never-changing routine. Perhaps, with increased sensitivity of observation, we would be able to free ourselves from this ballast and seek other endeavours and experiences to continue to make progress, develop and flourish.

The masquerade of ‘head-spinning’ continues, while we are all waiting for something to change and happen.

This crazy pirouette continues forever. One broken cycle leads to another entrapment. New becomes old almost instantly. One fulfilment expectantly turns into a disaster and we remain unsatisfied, while travelling on a piece of rock through space – paradoxically, entrapped in a hope that the final destination is anything but death!

However, with great and vulgar arrogance, we continue to refuse to accept that nothing lasts forever and everything will turn into dust.

Dust and darkness (sic!)

Reflections on the Final Show

I have researched and tested a great number of possible platforms for the final show. Unfortunately, I have found them quite disappointing. The most common concept is to based on echoing a feeling of a physical gallery. Frequently, the software is very slow and clumsy in operation. Additionally, the overall effect is more focused on the look of the space rather than the work itself. Art becomes somehow secondary to the meaningless decorations and textures of walls, ceiling and the lighting.

The most popular online gallery is artsteps.com and https://www.furioos.com/ is best for streaming 3D work.

Other options, which are worth investigating are:

https://www.capterra.com/art-gallery-software/

https://www.3dvas.com/

http://omeka.org/

http://openexhibits.org/

http://collectiveaccess.org/

http://pachyderm.nmc.org

Alternatively, I have considered using a website, which is similar in design to behance.net.

I really like the simplicity, effectiveness and freshness of the front page. There is a grid of large block images, which is inviting and very clear. This website is able to accommodate a broad range of artefacts, including gifs files and video work. Photography on display is relatively high resolution and organised with order and structure.

Our group meets in Zoom on a regular bases to discuss possibilities for arranging the exhibition. All students are very proud and would like to present their research projects to the best of the abilities. Likely, Aristotle, who is one of our students, has offered to help everyone and donated both, his time and the use of his original software.

In preparation for my exhibition, I have carefully considered a range of ideas. My main intention is to make sure that the way, in which my work is displays reinforces its meaning. I would like to avoid using any unnecessary gimmicks and distractions.

In these unprecedented times, it is quite strange for a painter to accept that the final exhibition will not have a physical dimension. Frankly, I am saddened and overwhelmed by a lack of reality it terms of the experience of true colour, texture and painterly mastery of strokes. However, an artist and creative individual needs to seek opportunities in overcoming obstacles. Therefore, my intention is to excel myself and make the online exhibition even better, more refined and sophisticated. I would like for this to be a new learning curve full of controlled happy accidents, experimentation and deep reflection of what is appropriate in term of visual communication – my chosen language of expression.

The digital approach creates a new chance to experiment with a ‘space’, which supports and reinforces my messages in cohesion to deliver a holistic poetry about my painterly and video work.

Currently, I am planing for a long wall with three parallel and simultaneous video projections. This number can be possibly extended to four. I am in the process of working on a painting titled ‘Ravens and Crows Will Peck Us to Pieces’. It is quite likely that I will make sufficient progress to video another washing cycle. This image is different to portraiture. Therefore, I was relatively hesitant to include this image. However, on reflection, it summarises my overall responses to my research findings in a time of lockdown and social isolation. We are all subjected to mortality, vulnerable and fragile. The end of our journey is the only certainty in our lives. Death is the culmination of our waiting, while being suspended in the vacuum of hypnotic repetition.

The side walls of the gallery will be dedicated to the display of the actual paintings. I should be able to exhibit between 8 and 10 canvasses.

It is all very exciting!

Dubai Ideathon- Day 2

Inspirational experience in a difficult time!

Day 2 was also extended to most of day 3. My team – 11B got very passionate about crating a holistic and xcohesive platform. Our concept was to bring people together in a time of crisis, social distancing and isolation.

We produced a very comprehernsive proposal for a range of ideas and supporting online platforms. I was selected by the team to present our proposal to the forum of 174 observes via Zoom videoconference. Our proposal was very well received and the team and I are awaiting further news on a range of possible developments.