Jonathan presented my 5 minute video to the group yesterday. I received a broad range of opinions, questions and suggestions. I was inspired by a constructive dialogue and several intriguing interpretations of my work. I would like to respond to the main comments as follows:
Matt – is the Venetian mask making its way into paintings too or are the sequences of you wearing the mask in this video taken from a piece in itself – where did it come from? I’m curious.
Yes, it will be a part of a future painting. My intention was to create a sensation of an outsider, alien like character, who observes and comments on the nature of the human condition from ‘out there’.
Alexis – you have mentioned that the voice in the narration is as though an alien, it is another and not you. What do you see is the relationship between the voice of the narrator, the text and yourself?
The alien like voice creates a clash between my observations and those of an outsider, who is trying to formulate an objective and detached analysis of the situation and predicaments.
Danielle – I’m interested to know whether/how hypnotic repetition is embedded into your painting process?
Using a washing machine as a creative tool is repetitive in its own right. Watching the spinning of the drum has hypnotic qualities. The slow and very precise process of portrait painting is also monotonous and mind-numbing. It is passive and based on observing the process of destruction without any possibilities for intervention and influence.
Aristotle – Do you see your artistic identity as an alter-ego?
Not at alter ego. The intention is to initiate a dialogue by introducing another perspective, an angle, which is unbiased.
Matt – This is something, which I remain interested in – I asked similar questions during our group tutorial at low residency in terms of the point at which a painting becomes fixed, concluded, or left, and the cycle is broken – is this point at which it becomes a story?
My work is based on an evolving and sequential dialogue, a commentary on the human condition in the context of predicaments of daily survival and turbulence of existence. It is not an object of craft, which forces a question about the work being completed. It is not a piece of embroidery – you do it and than, it is done.
Kelda – is (your project) about discovery? With the travels. With your artwork? You have been experimenting with process like using the washing of your artwork…
My research is focused on an attempt to develop a deeper understanding in order to establish and analyse the discrepancy between what is on the surface and what is really going on underneath the facade. The process is metaphorically important. The underpinning thinking is of primary significance, as always.
Alexis – The washing of the canvases is clearly an important element in your process, how does it function in the concept of hypnotic repetition and does it have a personal significance?
The spinning motion of a drum of a washing machine has hypnotic qualities. Its metaphorical function is to confirm and reinforce my observations about the repetitive nature of peoples’ lives and the entire structure of their existence. There is no escape from this entrapment. The destination of every attempt to break free from this cycle is failure. It becomes consumed by it and integral to the entire existence.
Danielle – (hypnotic repetition is embedded into life in its entirety) through habits?
I am not talking about rituals and acquired habits. My project explores the essence of being and its overwhelming impact on the most basic form of existence – dealing with life without thinking about it – getting on with perseverance.
Ben – I find it interesting that the washing, really does not wash away anything. Merely smears and alters the original image into something new.
It is very much a part of an uncontrollable, uncertain and unpredictable creative process.
Jonathan – the washing process is obviously connected to washing and cleansing but in this case it is also very destructive, as it removes large amounts of the painted surface, how much of this is about your giving up control or giving over control to the washing machine in this case, is it in any way an empathetic action with the stories of come of those you have met?
Yes, it is in a way, because there is a bizarre similarity, a parallel between the nature of my process and the lives of the people I paint.
Kelda – It is also retelling the story (of the painting, or the people whose stories you are seeking out), the ‘truth’ is distorted with every telling.
Absolutely, it is twisted and distorted, just like their lives and existence – nothing is certain.
Leah – Regarding “new normality”. I have a question about this. What is the difference between the new normality and the old normality? What on earth can completely change our inherent state? If it is only changes slowly over time. So can it be said that “change” is what we call “normality”?
The key point is that everyone has a different normality and a unique perspective on life and existence. My work reinforces this concept and celebrates this thinking.
Matt – There is a great richness and depth to your storytelling in conversation. Pav – maybe the layers of paint form a mask that invites inspection without the spoken word?
Yes, possibly, but the narrative is very important and forms another layer to the understanding of my perspective and research findings.
AxAsh – just sharing my personal opinion，I feel there might be some violence element in your work Pav. I meant,did you attempt to make it or it is just a random result？An interesting saying is that art making is another form of crime. Some film directors have the same explanation. This can be a way to heal their trauma？How do you think?
The character is not violent, may appear to be sinister. This is, however, a part of a bias and interpretation from the observer and depends on his own insecurities. It is designed to draw attention to the situation.
Friederike – [It is also retelling the story (of the painting, or the people whose stories you are seeking out), the ‘truth’ is distorted with every telling]
Yes, exactly and therefore is very well in tune with concept of the mask, which can hide identity but also retells a story like in theatre.
Repetition stops you from thinking and analysing your own life, ambitions, dreams and aspirations. You hypnotically and simple ‘get on with it’!