I came across the first series of spin paintings by Damien Hirst in the early 90s. I learned about this experiments, when he first started to explore a range of possibilities using this technique in 1992 and extending on alternatives by employing the idea of a stencil.
In addition to their powerful colours, patterns and textures, they were frequently composed on circular formats. I was touched by a great similarity between the look and feel of these works and my ideas concerned with recording the spinning cycle through a bullseye circular window of a washing machine.
On reflection, I came to a conclusion that his famous spin paintings were very influential in forming my new ideas for a series of images.
The spinning motion is monotonous, repetitive and echoes the nature of what I am trying to portray and question in my project.
I include a collage based on his various work below: