I am a fine art painter with 30 years of experience. I have spent my life travelling and recording human existence in the most distant and exotic locations in 99 countries.
My project is a metaphorical attempt to formulate a response to my observations of people, who are entrapped in waiting, while being suspended in the vacuum of hypnotic repetition. I have gathered substantial primary sources and evidence from destinations across the globe. Perhaps, the most significant research findings were from Haiti and Myanmar and resulted in the production of the most spectacular paintings. They have inspired me to develop new and innovative ways of working and experimenting with image making, which are appropriate to the subject. They combine the best of traditional achievements and the power of contemporary thinking and deep reflection.
I work full time as a programme coordinator for Art & Design at a large institution offering a broad range of FE and HE qualifications. I am also an external examiner for the UAL and AQA.
Through my projects I feel that I discover my inner fears, longings and re-evaluate my uncertainties. My work seems to be an attempt to explore and question by metaphorical presentation my response to the hidden truths of the world. The essence of the value of these works is in their inherent meaning and an atmosphere, which manifests itself in the dusk of the space portrayed, thus the light may appear, where the hue of colour fulfils clarity and sounds with harmonious melody.
This video pieces covers a summary and visual outcome of my research, practicalexperimentation and analysis, which I have develop in consequence to my investigation into hypnotic repetition over the last few years.
My work is about an attempt to develop a visual response. In contradiction to logic, opportunities arise in life to break the mundane phenomenon of entrapment and never-changing routine.
Perhaps, with increased sensitivity of observation, we would be able to free ourselves from this ballast and seek other endeavours and experiences to continue to make progress, develop and flourish.
This crazy pirouette continues forever. One broken cycle leads to another entrapment. New becomes old almost instantly. One fulfilment unexpectantly turns into a disaster and we remain unsatisfied, while travelling on a piece of rock through space – paradoxically, entrapped in a hope that the final destination is anything but death!
However, with great and vulgar arrogance, we continue to refuse to accept that nothing lasts forever and everything will turn into dust.
Dust and darkness (sic!)
The One-Legged Player is totally on the task. Her appearance looks frivolous and theatrical to distract from her determination and the fact that she cannot afford to miss any shots. Her outwards image portrays glamour and fame, but the reality is diametrically different.
The One-Legged Player is frozen in a stretched position, suspended in the vacuum of repetition. Every shot is executed in an identical posed pose in a hope to attract attention and increase the stakes, hence maximise profits.
I am hesitant to come to conclusions that there is something repulsive about it. The first impressions of wonder and curiosity are replaced with laughter and astonishment. The performance continues regardless.
Mixed media on canvas
180 X 110
This piece portrays a coach driver. He is preparing to leave Kawthoung for a 20-hour long journey to Myiek. The road is terrible and unpredictable. His old coach must be in a top condition before the passengers are allowed to board.
The driver looks very tired and substantially overweight. He spends his life driving his coach between those two distant cities in Myanmar. Mixed media on board, A1 size
This work portrays a Burmese captain in charge of a long boat. His job is to transport people and cargo from Ranong in Thailand to Kawthoung at the furthest southern point of Myanmar. His main clientele are poor illegal workers from Burma trying to earn a few baht in Thailand.
Following a long conversation with him, I become one of his passengers. To maximise income, he accepts as many people as possible. He even travels on the very front of the boat to save valuable space. This place is very uncomfortable and rocky. He is also fully exposed there to the power of the tropical sun. He tries to get some relief from the burning heat by hiding under a colourful umbrella.
The image is very clashing in colour – very kitsch. This is further enhanced by his crude and cramped body position. His ankle reveals a massive tumour.
There is a gigantic growth on his leg, perhaps caused by prolonged exposure to the sun and continued contact with polluted water in the port.
My creative intention was to portray him in his usual setting, while crossing the same water many times every day.
The focus is on him. The beautiful surroundings no longer matter. He cannot see the landscape. He is trapped in his daily routine.
The colour of his shirt blends in with the orange stripes of paint on the boat. The umbrella is feminine and looks absolutely ridiculous.
Mixed media on marine matt
Mixed media on unprimed canvas.
168 cm x 118 cm
This new piece portrays three Burmese monks taking a break from their money collecting duties, while entertaining themselves with a large group of pigeons.
In the area, there were large numbers of child monks present. Most of their days are spend extorting large amounts of cash from the hard working, fearful and deeply religious market community.
They are immaculately dressed in pink robes and sarongs. Simultaneously, they walk bare foot to project an image of poverty and humbleness.
However, the truth is different. They have got daily targets to fill their metals trays with a mixture of coins and bank notes to satisfy the needs and expectations of their superiors.
mixed media on two joined canvases
Size: 60cm; (h) 85cm
This is a portrait of a young, beautiful and idyllic-looking Haitian girl playing with butterflies. I met her during my travels through Haiti, where most people survive on less than 1$ per day.
She is totally oblivious of her origin.
She does not understand, why she is consistently ostracised and bullied. Her skin is white, and her eyes are baby blue. She definitively stands out!
She has never heard of Poland. Her home is on a little island called Petit Goave.
She is a descendent of Polish legionnaires, who were sent to Haiti by Napoleon to suppress an uprising of slaves. However, having realised the extent of exploration and abuse, the Poles changed sides and fought in support of the oppressed indigenous people. Subsequently, most of them were punished and slaughtered. A few lucky ones managed to disperse to the islands.
mixed media on board
Size: 60cm; (h) 85cm
This is a portrait of a young Haitian girl called Palenque. She is heavily disabled. Her arms are distorted and twisted. She is in constant pain.
Today, she is celebrating her 16th birthday. Her eyes are full of joy and spark of life, and she smiles beautifully.
She is totally overwhelmed by an unexpected present from a stranger – a mobile phone.
mixed media on board
Punhane, in Azeri, means ‘secret’. I have got to know her quite well. She was diligent, perceptive and intuitive. She made a very positive impression on me. Her outgoing personality was enhanced by a very natural look, reserved and introvert personality and beautiful young face with long hair and no makeup.
Revealing her deepest secret could cost her life.
She is Armenian. Since the war, both countries are filled with hatred towards each other.
6. Thai Masseur
mixed media on stretched canvas
Size: 116cm; (h) 184cm
This is a portrait of a single mum of three. She originates from a poor village in the North. Her new life is in Pattaya. Before the pandemic, her days were very monotonous and repetitive. She used to work 17-hour long days as a masseur. Now, in lockdown, her shop is closed. She dreams about returning to her previous life and the former status quo.
mixed media on terrycloth, A1
Pearl Twink lives in Lagos, Nigeria. She is transsexual. She fears for her life and her sexuality is her biggest secret. She is a fashion icon. The piece tries to question the presumption within our prejudice and allows us to understand the contradictory point of view – the opposite perspective. Therefore, forcing us to confront and reflect on our own behaviour in the context of making judgements without thinking and appropriate analysis. We simply devalue the status of a person from a different culture. Labelling and categorising removes individuality and creates a climate for a lack of our responsibility towards them.
Dialogue with Pearl Twink (with sound)
41-second video piece